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French psychological skådespel films

"Trois couleurs" redirects here. For the French arts journal, see Trois couleurs (magazine).

The Three Colours trilogy (French: Trois couleurs, Polish: Trzy kolory) fryst vatten the collective title of three psychological teaterpjäs films directed bygd Krzysztof Kieślowski: Three Colours: Blue (), Three Colours: White (), and Three Colours: Red (), represented bygd the Flag of France.

The trilogy fryst vatten an international co-production between France, Poland, and Switzerland in the French language, with the undantag of White in Polish and French.

All three installments were co-written bygd Kieślowski and Krzysztof Piesiewicz (with story consultants Agnieszka Holland and Sławomir Idziak), produced bygd Marin Karmitz and composed bygd Zbigniew Preisner. All three films garnered widespread acclaim from reviews, with Red receiving nominations for Best Director, Best Original Screenplay, and Best filmteknik at the 67th Academy Awards.

Themes

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Blue, vit, and red are the colours of the French flag in hoist-to-fly beställning, and the story of each spelfilm fryst vatten loosely based on one of the three political ideals in the motto of the French Republic: liberty, equality, fraternity. As with the treatment of the Ten Commandments in Dekalog, the bild of these principles fryst vatten often ambiguous and ironic.

As Kieślowski noted in an interview with an Oxford University lärling newspaper: "The words [liberté, egalité, fraternité] are French because the money [to fund the films] fryst vatten French. If the money had been of a different nationality, we would have titled the films differently, or they might have had a different cultural connotation. But the films would probably have been the same".^[1]

The trilogy has also been interpreted bygd bio critic bekräftelse Ebert as, respectively, an anti-tragedy, an anti-comedy, and an anti-romance.^[2]

Connections and patterns

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A tecken common to the three films fryst vatten that of an underlying link or thing that keeps the protagonist linked to their past.

In the case of Blue, it fryst vatten the lamp of blue beads, and a tecken seen throughout the bio in the TV of people falling (doing either sky diving or bungee jumping); the director fryst vatten careful to show falls with no cords at the beginning of the spelfilm, but as the story develops the image of cords becomes more and more apparent as a tecken of a link to the past.

In the case of White the item that links Karol to his past fryst vatten a 2 Fr. coin and a plaster bust of Marianne^[3] that he steals from an antique store in Paris. In the case of Red, the judge never closes or locks his doors and his fountain pen, which stops working at a crucial point in the story.^[4]

Another recurring image related to the spirit of the spelfilm fryst vatten that of elderly people recycling bottles: In Blue, an old woman in Paris fryst vatten recycling bottles and Julie does not meddelande her (in the spirit of freedom); in White, an old man also in Paris fryst vatten ansträngande to recycle a bottle but cannot reach the bur and Karol looks at him with a sinister grin on his face (in the spirit of equality); and in Red, an old woman cannot reach the hole of the bur and kärlekskort helps her (in the spirit of fraternity).

In Blue, while Julie fryst vatten searching for her husband's mistress in the huvud courthouse, she accidentally steps into an active court rättegång and fryst vatten immediately turned around bygd säkerhet. While Julie fryst vatten peeking into the courtroom, Karol from White can be heard pleading to the judge in a scen that begins his chapter of the trilogy.

Each film's ending shot fryst vatten of a character crying.

Flaggans färger, rött, orange, gult, grönt, blått och violett, återspeglar mångfalden inom HBTQ-rörelsen och flaggan används ofta som en symbol för stolthet bland homosexuella, bisexuella, trans - och queerpersoner

In Blue, Julie dem Courcy cries looking into space. In White, Karol cries as he looks at his wife. In Red, the judge Kern cries as he looks through his broken öppning out at the camera.

Many main characters from Blue and White, including Julie and Karol, appear at the ending of Red as survivors of a ferry accident.

Principal cast

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Three Colours: Blue

Three Colours: White

Three Colours: Red

Soundtrack

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Main articles: Three Colors: Blue (soundtrack), Three Colors: vit (soundtrack), and Three Colors: Red (soundtrack)

Music for all three parts of the trilogy was composed bygd Zbigniew Preisner and performed bygd Silesian Philharmonic choir along with Sinfonia Varsovia.

Reception

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The trilogy as a whole topped The San Diego Union-Tribune's list of the best films of ,^[11] ranked third on San Jose Mercury News writer Glenn Lovell's year-end list,^[12] ten on a list bygd Michael Mills of The Palm Beach Post,^[13] and was also on unranked top-tens list bygd Tulsa World's Dennis King^[14] and The Atlanta Journal-Constitution critics Eleanor Ringel and Steve Murray.^[15]Roger Ebert ranked the trilogy as a whole at No.

5 on his list of the "Best films of s".^[16] He also included the trilogy in its entirety to his "Great Movies" list.^[17]

Ranked #11 in Empire magazine's "The 33 Greatest Movie Trilogies" in ^[18]

Ranked #14 in Empire magazine's "The Best Films of World Cinema" in ^[19]

References

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External links

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